Sinopsis

Nineteen hundred years ago from the date of this writing, a magnificently gilded and painted cangia was descending the Nile as rapidly as fifty long, flat oars, which seemed to crawl over the furrowed water like the legs of a gigantic scarabæus, could impel it. This cangia was narrow, long, elevated at both ends in the form of a new moon, elegantly proportioned, and irably built for speed; the figure of a ram's head, surmounted by a golden globe, armed the point of the prow, showing that the vessel belonged to some personage of royal blood. In the centre of the vessel arose a flat-roofed cabin—a sort of naos, or tent of honor— colored and gilded, ornamented with palm-leaf mouldings, and lighted by four little square windows. Two chambers, both decorated with hieroglyphic paintings, occupied the horns of the crescent. One of them, the larger, had a second story of lesser height built upon it, like the châteaux gaillards of those fantastic galleys of the sixteenth century drawn by Della-Bella; the other and smaller chamber, which also served as a pilot-house, was surmounted with a triangular pediment. In lieu of a rudder, two immense oars, adjusted upon stakes d...